 |



AV components become the missing link for multi-screen entertainment
at a Chicago Starbucks.

by Wendy Ellis, Pro AV Magazine
Most fireflies glow in the dark. This one pings.
At 2 AM every morning, the Focus Enhancements Firefly Media player
at the Starbucks Coffee store located at the intersection of Rush
and Oak in Chicago reaches out through the dark to a Hewlett Packard
server. It's looking for any changes that may have been made to
a trio of video presentations playing daily to audiences on a nine
screen video wall at the Chicago coffee shop. This new videowall
concept may soon branch out to other Starbucks flagship stores across
the country, but for now, Chicago is its proving ground.
That nightly request from the Firefly MC media player became part
of the presentation process only after AV systems integration firm
Media Resources Inc., of Lisle, Illinois, joined the team attempting
to link the artistic and technical elements of the project. "They
had the production and the display, but they had no idea how to
make the show play," says Brian Maksa, vice president of sales and
rentals for MRI. "Basically, we became the missing link."
The idea behind the wall came from Starbucks' desire to provide
its employees a venue for displaying their artistic talents. Many
of the company's employees are also musicians, painters, photographers,
sculptors, and even film makers. The new "Partner Projection Wall"
is their window to the world.
|
Thinking
outside the box
To give the display an artistic flair, the videowall consists
of nine 26-inch, HD-ready LCD monitors, five hung horizontally,
four vertically. "It looks like paintings on a wall," says
Alex LeMay of Taproot Productions in Chicago, which was tasked
with creating digital vignettes of the artists and their work
to display in a synchronized loop. "It's not the nine panel
square, three up, three down, you see everywhere. That square
box has been done to death."
While
a head and shoulder shot of the artist may be playing on three
monitors, two others may show him creating the artwork, while
the others display the work itself. Each vignette runs about
5 minutes, before the video returns to "attract mode," which
highlights scenes of Chicago until the next vignette begins,
or until someone pushes a button located nearby on the wall
to start the next show.

It
was the smooth synchronization of this montage of videos that
had programmers stumped. "When we were finally brought in,
the monitors were up and they had pulled the Cat5," Maksa
says. "But they were having difficulty synchronizing the videos.
They were trying multiple video cards and would have had to
write a very complex computer program. Basically, they were
going at it from a computer mentality, rather than an AV and
control idea. We knew what they needed right away, because
from an AV standpoint it hits you right in the face."
MRI began
solving the problems by connecting a four channel Firefly
MC media player to the HP workstation computer that stores
all the presentations. The Firefly has simple RS 232 controls
and plenty of hard drive space. "The advantage to the Firefly
is that it gives you composite, S-video, or component video,
so later on if they had some unique footage in a different
format, we would still be able to send it over there," Maksa
says. "All we would have to do is change the transmitter and
receiver."
|
 


|
Timing
is everything
Because there are
three video signals going to three sets of monitors, MRI channelled
two of the video signals to a component dual-channel Extron MDA
3V Dual video distribution amplifier. The third signal goes to an
Extron MDA 3AV audio-video distribution amp, and also carries the
single audio track. All three signals are fed to Extron MTP CV Cat5
transmitters and corresponding Extron MTP R CV Cat5 receivers at
each of the display devices. The cigarette pack-sized transmitters
and receivers are mounted on the back of each monitor, and all cabling
is hidden in the wall.
Maksa then integrated
an AMX NI 700 digital controller to add seamless automation to the
whole presentation. The entire series of videos loops every 40 minutes,
unless a customer pushes the button on the wall and start a vignette.
That button is located within easy reach of a small counter where
customers can sit and enjoy their coffee. If the wall is in "attract
mode" when the button is pushed, the next vignette will begin. But
if a vignette is playing, it will finish before the next presentation
begins. The control system records each time the button is pushed
and when, in case Starbucks execs are curious about how often customers
interact with the videos.
For audio, MRI wired
four Sony MDR V150 headphones to the wall below the counter allowing
continuous audio from the monitors by way of a Fostex PH-50 distribution
amp. For use on special occasions, Maksa also provided a QSC ISA280
2-channel amplifier to carry the audio signal to two JBL Control
25 speakers mounted on the top of the videowall at each end. While
the headphones carry the audio at all times, customers standing
in line can't hear the audio unless the store manager chooses to
flip a toggle switch to pipe the audio throughout the store. "
Working the night shift
To avoid disrupting the daily operations of the store, the majority
of the installation and construction work was completed after the
midnight closing and before the store opened at 6 am. Plainfield,
IL-based Hagge Construction finished most of the structural work
and cabling before MRI joined the project. The decision to use Cat5
cable made things easier for MRI. "You can put most any signal over
Cat5," Maksa says. "It gives us the complete flexibility for whatever
resolution we want to display."
MRI did not stop at connectivity alone, however. New or updated
video presentations are emailed to MRI, and are then loaded onto
the HP Workstation XW4200 computer where the Firefly comes searching
in the wee hours of every morning. If a change is detected, the
update is downloaded and a new presentation begins the next morning
without requiring any interaction from store employees.
Maksa says he would have liked to have also made it possible to
remotely monitor the videowall from the MRI offices, so he would
immediately know if something in the system wasn't working correctly.
Budget restraints, however, made that impractical at the time of
installation, although it could be considered in the future. To
save power, the AMX Control enables the videowall system to turn
itself off every night just after closing, and restart just before
the store opens each morning.
Maksa says the AV portion of the project was completed in five
days at a cost of about $35,000, not including the monitors and
vignettes that were already in place. The end result is exactly
what Starbucks ordered- a successfully synchronized display of seamless,
unobtrusive and entertaining videos that show daily at the Chicago
Starbucks.
Preventing
headaches at the head end
|
|
Installation
challenges cropped up at the Chicago Starbucks store where
Media Resources least expected: in the back room where the
head end was to go. This tiny office space already held all
the storage shelving, telephones, break room, and the Starbucks
business computer, which was mounted on a rack high up on
the wall.

"This
rack actually starts at about 5 feet off the floor and goes
up to about a 12 foot ceiling," says Brian Maksa, vice president
of sales and rentals for MRI. "A typical equipment rack has
the ability to swivel if it's on a wall, so you can get to
your cables on the back of the rack, but this was just two
rails bolted to the wall in a corner."

Unfortunately,
there was no other space available, so MRI had to use the
existing rack to house the computer, amplifiers, media player,
and Cat5 transmitters. Rather than create a spaghetti bowl
of cables, MRI devised its own routing and built a bracket
onto the existing rack to harness the cables. "What became
difficult was getting to all the connectors," Maksa says.
"You only had access from one side."

In
the end, space is tight, but everything fits. "The only advantage
to where the rack is located is that we don't have to worry
about somebody turning something off by accident," Maksa says.
"It's so high up, they'd have to find a ladder and climb up
there to do it."
|
 |

|

From
Pro AV Magazine, March, 2006. Copyright 2006, Ascend Media, Inc.
Used by permission.
Click for printable copy of this
article.
Equipment list, Starbucks Partner Projection Wall
|
|
Signal processing
Focus Enhancements Firefly MC media server
HP XW4200 workstation
Extron MDA 3V Dual video distribution amplifier
Extron MDA 3AV audio-video distribution amp
3 Extron MTP CV Cat5 transmitters
3 Extron MTP R CV Cat5 receivers

Display
9 26" HP LCD monitors
|
 |
Control
AMX NI 700 digital controller
Audio
QSC ISA280 amplifier
Fostex PH-50 distribution amp
2 JBL Control 25 speakers
4 Sony MDR V150 headphones
|
|